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OSE
The Profession of sculpture in the Paris ‘Académie’
Volume: OSE 2014:02
Series editor: Jonathan Mallinson
Author: Tomas Macsotay


REVIEW(S): 
‘The wealth of materials in these chapters leads the reader to question the Académie’s unresolvable conflict between its self-designated status a a distiller of a national canon through the pedagogy of the visual exemplum and the ultimate necessirty to resort to discursive forms of knowledge to maintain such a canon, namely, to critical speaking and writing about art.’
Tatiana Senkevitch, Oxford art journal (38:03)