the elusive Orientalist
Volume: OSE 2016:11
Series editor: Gregory S. Brown
Author: Laurent Châtel
Description: The writer and aesthete William Beckford (1760-1844) was a fascinating embodiment of the sublime egotist. Because of his extravagance, fabulousness and enigmatic nature, biographers have alternately presented him as an object of fascination or dismissed him as an insolent and deceptive character. Laurent Châtel provides an innovative reassessment of Beckford by presenting ‘elusiveness’ as the defining motif for understanding both the writer and his work.
Laurent Châtel opens his analysis by exploring the author’s fascination for the East, which informed several of his multi-layered works such as ‘The long story’, 'Suite des contes arabes’ and Vathek. By reconnecting him with the eighteenth-century aesthetic of translation and reappropriation of the Arabian nights, Châtel shows how Beckford’s Orientalism was key to his elusiveness and presents him as a fabulist who supplemented existing tales with touches of wonder and horror. In further chapters Châtel explores his lack of recognition as a man of letters – whether desired or not. Through an analysis of the arguably limited reception of Beckford’s works, in particular in France both during his lifetime and immediately after his death, we see how his deliberate elusiveness of style was constitutive of his identity. In his groundbreaking repositioning of Beckford, Laurent Châtel provides a new framework for further explorations of his work and their rich overlay of intertextual presences.
‘Laurent Châtel engages perceptively with the shifting borders of translation, revisioning, interpretation and imitation, in ways that illuminate continuing issues around Orientalist scholarship. This is an admirable, luxuriantly detailed and most rewarding study.’
Marina Warner, author of Stranger magic: charmed states and the ‘Arabian nights’
List of illustrations
Part I. Orientalist Beckford
1. Turning East: Orientalist learning, aesthetics and taste
2. ‘As Indian as ever’: ‘The long story’
3. ‘Sparks of Orientalism’: Beckford’s ‘children of the Nights’
4. ‘Such a valuable morsel of Orientalism’: Beckford’s Vathek and its Episodes
Part II. In search of the author: authorised translations and translated authorship
5. ‘[N]os bons literateurs ont paru meme ignorer leur existence.’ Invisible in France? The French reception of Beckford, 1760-1876
6. ‘Inconnu dans les annales de la terre’: the missed fortune of Beckford
Conclusion: Beckford re-Oriented
Appendix A. Beckford’s Orientalist collection of books, prints and drawings
Appendix B. ‘Beckford Orientalising’: dreaming of Father Urreta’s Ethiopian underworld
Collaborator biographies: Laurent Châtel is Senior lecturer in English studies, University of Paris-Sorbonne. His research interests include British culture, literature and the visual arts in the eighteenth and nineteenth centuries. He has published extensively on Beckford, garden history and landscape theory, and is Academic Adviser to the Hestercombe Centre for Art and Landscape.